Clockwise, from top left: Blackfriar's Theater in Staunton, VA, home of the American Shakespeare Center; National Cathedral in Guatemala City; church near Volin, SD; engraved stellae at ruins of Copan, Honduras; folk musicians in La Paz, Bolivia.
September 15, 2018 [LINK / comment]
Utter "chaos" at Bedlam Brewing!
In preparing for my latest gig at Bedlam Brewing [a little over two weeks ago (August 31)], it dawned on me that their "embrace the chaos" theme was particularly appropriate for me, so I put an updated version of my "word cloud" on a Mandelbrot Set background. (See my Chaos page for an explanation.) That theme had added meaning, as the show came soon after the 50th anniversary of the the violence in Chicago during the Democratic National Convention. Chaos in the streets!
The "psychedelic" Mandelbrot Set, as an illustration of Chaos Theory.
Indeed, the first four songs I played had a direct connection to the social and political tumult of the late 1960s. "Revolution" and "[Chicago]" both sounded very good, I thought, especially considering I hadn't played either one in public before. "Gimme Shelter" fell short, however, partly because I really didn't practice it enough and partly because I had my songbook binder turned to the wrong page. Likewise, U2's "Pride (In the Name of Love)" refers in part to [the assassination of] Martin Luther King on April 4, 1968. I started that one a little bit sloppy and then got better. The next three songs were not political but rather had a common theme of loneliness and alienation stemming from the rapid social change of that era. I was really getting into the spirit of things, and they sounded fine.
I was eager to play the tenth song, Jethro Tull's "Locomotive Breath," which I had done very effectively at a Queen City Brewing open mic event earlier in the summer. But somehow I got started in the wrong key (C minor played as A minor with the capo on the third fret), whereas it is supposed to be F minor played as D minor. I fumbled around for almost 30 seconds before I got it right, which spoiled the building tension that the intro of that song is supposed to yield. The rest of the song was fine, but it could have been better. Next came a CCR tune I have played before and Supertramp's "The Logical Song," which I only learned recently. I closed the first half of the show with three songs by Paul McCartney or the Beatles, and I was pretty happy with how they went. The audience was appreciative and friendly, but there weren't as many folks as I had hoped.
After a ten-minute break, I shifted gears and played three relatively "recent" songs, i.e., ones that have come out since the 1990s. The song "Iris" is familiar to most people, but amazingly enough, until this year I was barely even aware of who the Goo Goo Dolls were! "Rhythm of Love" got hearty applause, as did the next two songs when I went back to the early 1970s. Then came more songs from that period, including BTO's "Let It Ride," which is not the sort of song one expects of a solo acoustic guitarist. I had fun with that one, and did pretty well on Pink Floyd's "Wish You Were Here" as well. The intro part wasn't 100% clean, but it was close.
For the final portion of the show, I shifted gears once again, with somewhat more serious song themes. The Moody Blues' "The Voice" sounded fine, but the only Ozark Mountain Daredevils song I played ("It's How You Think") didn't elicit as much audience response as I had hoped. You never know. The late Tom Petty's "Here Comes My Girl" and Sheryl Crow's "My Favorite Mistake" went without a hitch, as did the Eagles' "Lyin' Eyes," which marked the grand finale. Was it the best choice for a last song? I'm not sure. Anyway, I felt good as I thanked the crowd for being there and being good listeners. Then I relaxed with a tasty IPA and chatted with friends for a while before unplugging, packing up, and heading home. In sum, it was a very satisfying night.
|2||Bob Dylan||The Times They Are A-Changin'||G|
|3||Rolling Stones||Gimme Shelter||A|
|5||U 2||Pride (In the Name of Love)|
|6||Simon & Garfunkle||America|
|7||Bee Gees||Lonely Days|
|9||Jethro Tull||Locomotive Breath|
|10||Creedence Clearwater Revival||I Heard It Through the Grapevine||C|
|11||Supertramp||The Logical Song||Bb|
|12||Paul McCartney||Uncle Albert / Admiral Halsey||G|
|13||Beatles||A Day In the Life|
|15||Goo Goo Dolls||Iris||G|
|16||Gin Blossoms||Follow You Down||G|
|17||Plain White T's||Rhythm of Love|
|18||Doobie Brothers||Listen To The Music|
|19||Eagles||Take It To the Limit|
|20||Kansas||Dust In The Wind||G|
|21||Fleetwood Mac||Blue Letter|
|22||Bachman Turner Overdrive||Let It Ride|
|23||Pink Floyd||Wish You Were Here|
|24||Moody Blues||The Voice||G|
|25||Ozark Mountain Daredevils||It's How You Think|
|26||Tom Petty||Here Comes My Girl|
|27||Sheryl Crow||My Favorite Mistake|
Some of my friends at the show complimented me on the song selection, which I appreciated. I always put a lot of effort into choosing songs and putting them together in an appropriate way. I was conscious of the need not to waste time between songs, and played for a little over two hours altogether: I started five minutes late, took a ten minute break, and finished about 20 minutes after 10:00 PM. I only left out one song from my planned set list: "Invisible Sun" by The Police. The above set list will eventually be incorporated into the recently-compiled "public repertoire" table on my Music page.
As for future shows at Bedlam Brewing, it will probably be at least three months hence because of the modest turnout that evening. I really need to promote my shows more actively if I'm going to get music gigs on a regular basis.
Recent open mic events
I couldn't even remember for sure if I had been to the open mic event on August 1, but after looking at my Facebook archives, I saw that Fritz Horisk tagged me as one of the performers that night, so I must have been [there]. After looking through my repertoire spreadsheet and song lyric documents (dated by when I saved them, implying that's when I learned them), I figured out with reasonable certainty what I played that night. As I recall, I did OK for the most part, but missed some of the words on the last song, which I was just learning. As usual, the hashtag symbols ( # ) refer to my use of the harmonica (along with the guitar), and the asterisks indicate songs that I played for the first time in public.
- Have a Cigar * -- Pink Floyd
- Hey Hey, What Can I Do * -- Led Zeppelin
- You've Got To Hide Your Love Away ( # ) -- Beatles ( ??? )
- Summer In the City * -- Lovin' Spoonful
On August 8 there was a virtually full slate of performers, including John Dull, who has become a regular at the QCB open mic nights, specializing in Crosby, Stills, Nash, and Young, one of my favorite groups. For the first time, I heard Sissy Hutching and Travis Weaver, the new proprietors of Fretwell Bass, the music store that I frequent in downtown Staunton. They sounded great together. Of the two "new" songs I played, "It's Too Late" was the more technically challenging, and I was happy I did pretty well on it. "Daniel" could have been a little better; it's one of those songs that is hard for me to sing in the original key. As usual, the hashtag symbol ( # ) refers to my use of the harmonica, along with guitar.
- Mother's Little Helper * ( # ) -- Rolling Stones
- Aqualung -- Jethro Tull
- It's Too Late * -- Carole King
- Daniel ( # ) -- Elton John
After missing the next week, on August 22 I called attention to the anniversary of the solar eclipse in the first song, and also the appearance of three planets in the southern skies: Venus, Mars, and Saturn. (I'm not aware of any song about the Ringed Planet.) "Venus and Mars" led logically to two other Paul McCartney tunes, which sounded pretty darned good if I do say so myself. The encore ("Us and Them") was not quite as good as I would have liked, somewhat annoying since I have practiced it so much.
- Invisible Sun -- The Police
- Venus & Mars * ( # ) -- Paul McCartney
- Band On the Run * ( # ) -- Paul McCartney
- Uncle Albert / Admiral Halsey * ( # ) -- Paul McCartney
- Us and Them -- Pink Floyd
I was unable to play on August 29 because of a hospital visit, which fortunately did not impinge upon my big show on August 31. At my next open mic appearance on September 5 I played some of the same songs I had done at Bedlam on the Friday before (see above), noting the 50th anniversary of the the violence in Chicago during the Democratic National Convention. All the songs went very well, except that I switched octaves while singing "Chicago," and that probably sounded a little off. Getting the guitar riff and vocals on "The Logical Song" was a minor triumph, and it got some nice applause. For the "encore" song I picked a standard Eagles tune that I had only done there once before, and it was also very well received.
- Chicago * -- Graham Nash
- Lonely Days * -- Bee Gees
- The Times They Are A-Changin' * ( # ) -- Bob Dylan
- The Logical Song * ( # ) -- Supertramp
- Take It To the Limit -- Eagles
And this past Wednesday night (September 12), I followed up with more Eagles songs, since people really liked "Take It To the Limit" the week before. Percussionist Craig Austin joined me on "Witchy Woman" and "Strange Way," which helped a lot. I had a hard time singing two of my "new" songs ("Hollywood Waltz" and "Madman Across the Water") in a consistent octave, so I'll have to work on that. Attendance by musicians and regular patrons was down compared to recent weeks, so we each had more time to play songs. The first two ["encore" songs] went well, as did the third, [a first-time public song for me,] "Tin Man." If I recall correctly, it was only the second song by America that I have played in public.
- Witchy Woman ( # ) -- Eagles
- Hollywood Waltz * ( # ) -- Eagles
- If I Fell -- Beatles
- Madman Across the Water * -- Elton John
- Strange Way -- Firefall
- Heart of the Night ( # ) -- Poco
- Tin Man * -- America
The hashtag symbols ( # ) refer to my use of the harmonica (along with the guitar), and the asterisks indicate songs that I played for the first time in public.
August 23, 2018 [LINK / comment]
Weekend trip to Annapolis
Jacqueline and I paid a visit to Annapolis on Saturday and Sunday, the first time we had been there in over 20 years. It was starting to rain as we left Staunton, but it stopped as soon as we crossed the Blue Ridge. Nevertheless, the skies remained overcast until about noon on Sunday. Not wanting to waste time, we resisted my temptation to stop at some of the Civil War battlefield sites along the way -- Wilderness, Chancellorsville, and Fredericksburg. The heavy traffic upon entering the latter city slowed us down, and I briefly got turned around while trying to make all the right turns on the east side of town. As we approached the town of Dahlgren (home of a U.S. Navy installation) we encountered a massive traffic jam, and it was agonizing stop-and-go pace for the four or so miles leading up to the Potomac River bridge on Route 301. Apparently, it was all because of an incident involving a car that had been stopped by police at the top of the bridge. There was no toll booth in the northbound direction, so that had no effect.
After crossing the bridge, we stopped at the Maryland welcome center, and got lots of good information. We passed through the towns of La Plata, Waldorf, Upper Marlboro, and then Bowie before turning east on Route 50. Soon we were in Annapolis, and drove straight to downtown where we became oriented and began looking for a place to eat dinner -- seafood, of course. There was a long line and waiting time of well over an hour at a restaurant in the Eastport area (across a bridge from central Annapolis), so we had to look elsewhere. Eventually, we ended up at Cantler's Riverside Inn, a big seafood establishment that lived up to its fine reputation. It's located in a nice riverside residential neighborhood east of the Severn River, isolated from other businesses. At least one hundred customers filled the inside and patio dining areas. We got a half dozen large steamed hard-shell crabs, a delicacy I had not savored for years. It was a bit pricey (thanks in part to a shortage of labor due to the Trump administration's tightened immigration policy, according to the Washington Post), but well worth it for a special occasion.
On Sunday morning, we had a hearty breakfast (waffle and French toast) at Grump's, a diner/bar with lots of "character," favored by local folks. It was friendly and much more enjoyable than a chain restaurant would have been. Then we headed downtown (which is extremely congested) and parked at a public lot, and started walking around. We headed north along some narrow streets lined with quaint houses built in the 19th Century, many with eccentric paint schemes. It's obviously highly coveted real estate. After a brief stop at the Maryland State House (i.e., the capitol building), we headed back south along a different street.
Next we decided to take a boat tour of the Annapolis harbor. (Two close encounters with birds occurred during that tour, described in a separate blog post.) Then we headed east along the south side of the U.S. Naval Academy campus, turning left at the corner and following the east side of the campus almost to the new (1996) bridge that crosses the Severn River. Then we passed some Navy facilities on the east bank of that river, turned east toward all the sailboat marinas in the Eastport area, where we had been late in the preceding afternoon. After about 45 minutes we completed the circuit and docked back in the harbor. It was very interesting and lots of fun.
After the boat ride, we walked northward once again, but this time along Main Street, which of course is where most of the businesses are located. We reached the State House, took a slight detour to nearby St. Anne's Church and the Government House (the historic residence of the governor), and I took some more photos of the State House as well. The sun had emerged by then, but conditions were still very hazy, making it hard to get good photos. The warming temperatures were an inducement for us to indulge in some ice cream. Finally, we went to the U.S. Naval Academy visitors center and saw a film about the life of
cadets [midshipmen]* there. It was very inspiring, and a fitting end to our visit. On our way out of Annapolis I stopped to get a photo of the iconic Main Chapel and the Navy-Marine Corps Memorial Stadium, home of the Navy football team. GO NAVY!
CLOCKWISE FROM TOP LEFT: The tower above the Maryland State House (south side), the Government House, U.S. Naval Academy Main Chapel, Navy-Marine Corps Memorial Stadium, boats at dock, the Annapolis Federal House, and in center, quaint townhouses on Fleet Street.
It was a much shorter trip than our brief visit to see the solar eclipse in Tennessee last August, and to my surprise, we made it there and back on a single tank of gas! Full-size photos of the images seen above, and many more photos, are on the Chronological (2018) photo gallery. NOTE: I have recently upgraded that page, so that you can see full-size images of the standard landscape orientation by clicking on the photos, and then returning to small size by clicking again. Photos in a vertical ("portrait") orientation are now handled differently, hopefully making navigation and browsing easier.
* Thanks to Peter Van Acker for the correction.
August 9, 2018 [LINK / comment]
Highlights from a few "recent" day trips
Now that school has resumed for many people (way too early, I think) it's a good time for a "what I did on my summer vacation" exercise. And so I present a brief summary of various day trips that Jacqueline and I have taken to various places in the region over the past nine months or so. (There have been no long-distance or overseas trips to report on this year, and the last blog post I did about travel was on October 6, 2017: "Washington weekend in review.") Last weekend, as described in the final section below, we went to the small towns of Brownsburg and Goshen in Rockbridge County, about 25-30 miles south of here. But the following summary will proceed in chronological order, beginning with our trip to Lexington last November. The other big highlights for this year are Charlottesville (March and April) and Washington, D.C. (including Arlington), in May.
This is another case of me trying to get caught up with various website chores lately. Part of what took so much time for this particular task (travel photos) was figuring out a smooth transition to incorporating higher-resolution photos on my Chronological photo gallery page. Since last year I have begun posting higher-resolution photos: 1200 x 800 pixels, rather than 600 x 400 pixels as I had been doing since 2008 or so. (That's when I got my first high-quality digital camera.)
Nov. 26, 2017: Lexington
On the last Sunday last November, Jacqueline and I drove down to the quaint and historic small city of Lexington, our first visit there in at least a decade. Given that it's only about 45 miles away, I'm surprised we don't go there more often. It happened to be Thanksgiving weekend, so the town was devoid of students and thus very quiet. Our first stop was at Grace Episcopal Church, which had been renamed from "Robert E. Lee Memorial Church" in August, just three months before we visited. (See religionnews.com.) After a fine lunch at Macado's Restaurant, we strolled along the streets of downtown Lexington. The brick sidewalks have a number of embedded engraved stones which bear the names of famous alumni of VMI, such as General George S. Patton. We stopped briefly at Stonewall Jackson House, which is near the Red Hen Restaurant, which gained national notoriety last month (July) after President Trump's press secretary, Sarah Huckabee Sanders, was refused service there.
Washington Hall, the center of Washington and Lee University.
Next we explored the Washington and Lee University (WLU) campus, which was one of our primary destinations. Our first stop was Lee Chapel, where Lee's body is interred, and we were very impressed by the history of the building and the institution. Lee customarily sat in the front pew on the left, we learned. The chapel is not used for regular religious services any more, however. Directly across from the chapel, perched along a long slope, is the defining structure of the University, Washington Hall. In back of it is the main quad, surrounded by classic brick buildings of a similar architectural style. But space is limited, as a steep slope further west descends into a wooded ravine, on the other side of which some of the athletic facilities are located. We then passed the James Graham Clyburn Library, which reminded me of Clemons Library at the University of Virginia, since both are relatively modern and built on steep slopes such that the ground level on one side is at least three floors below that of the other side.
The Stonewall Jackson barracks at Virginia Military Institute. (NOTE: Other photos from Lexington can be seen at the 2017 Chronological photo gallery.)
Immediately to the north of WLU is Virginia Military Institute (WMI), renowned as the "West Point" of the South. There the architectural style is likewise distinctive: tan-colored fortress-like structures with parapets all along the rooftops. It's not just for show, as the cadets of VMI did indeed defend their institution from invading Yankee forces in June 1864, but were soon overcome. VMI buildings were burned by the conquering Union Army. I tried to find out whether the VMI museum and visitor center was open, but there was no one to ask. (We should have inquired at the southern gate where we entered.) I was fascinated by the arrangement of the buildings around the central field where the cadets train, and took lots of photos. This apparently raised suspicion, as we were questioned by security officers, just to make sure. Finally, we drove over to the football stadium to take some more photos, and were soon on our way home. We stopped for a quick libation at Devil's Backbone Brewing, located a few miles north of town, the first time we had been there. Passing through a historical site at Church Hill, a few miles farther to the north along Route 11, we learned that it was the birthplace of Sam Houston, leader of the Texas independence movement. Nearby was the former site of Liberty Hall Academy, which was founded in 1777 and was the origin of Washington College and (eventually) Washington and Lee University. In sum, it was a very enjoyable and educational day for us.
March 23: Highland County
We didn't get out much during the winter months, other than a drive up to the Weyers Cave area on January 23 (when I took a great closeup photo of an American Kestrel), and January 24, when we went to the JMU Arboretum in Harrisonburg. In fact, we missed this year's Highland County Maple Festival, which we try to attend almost every year, but we at least made it to Highland County one week later, on March 23. It was a bright and sunny day, just after one of the big storms we had, and all that white made for some dazzling photos. Unfortunately, there were no craft vendors at all in Monterey, and several of the stores we had hoped to browse were closed that day. So, after buying some bottles of hard cider at the Big Fish Cidery, we drove north toward the town of Blue Grass, crossed into West Virginia for a few miles and then returned to the Old Dominion, stopping at the McDowell Battlefield for a few minutes before proceeding home to Staunton.
Monterey's Big Fish Cidery
March 26: Charlottesville
Three days later we drove to Charlottesville to buy tickets for the Don Felder - REO Speedwagon - Styx triple concert on April 4; see my July 19 blog post. Then we went over to nearby Davenport Field (home of the UVA Cavaliers baseball team), where I took some photos of the recently-enlarged grandstand. It was another sunny day, perfect for photos! Then we spent about an hour at the Ivy Creek Nature Area on the north side of town. We used to go hiking along the steep trails there when we lived in Charlottesville in the 1990s. Next we headed downtown to see the controversial Robert E. Lee statue, which had been covered in black for a few months but was uncovered that day. The plastic fences and warning signs around the statue were clear signs that vandalism and/or violence was a real possibility. After more window shopping and sightseeing, we returned home.
The Robert E. Lee equestrian statue in Emancipation Park (formerly Lee Park), downtown Charlottesville. Virginia appeals courts have blocked the City Council's attempt to remove that statue and put it elsewhere.
Charlottesville City Hall, featuring the likenesses of three presidents who once lived in that area: Thomas Jefferson, James Madison, and James Monroe.
May 26: Our Nation's Capital
On May 26 we drove up to Northern Virginia to see Jacqueline's brother Roberto, who was visiting the United States for the very first time! Along with her sister Gloria's family, we did some sightseeing in and around Washington. On the Virginia side of the Potomac River, we spent a couple hours at Arlington National Cemetery. It was Memorial Day weekend, and I was afraid that traffic would be intolerable, but it wasn't nearly as bad as I had expected. We saw the Kennedy gravesites (JFK, RFK, & EMK) but were unable to get into the Lee Mansion because of construction activity there. We did quite a bit of walking through sections of the cemetery that I had not previously visited.
John and Jacqueline Kennedy gravesite at Arlington National Cemetery.
In Washington, I saw the National Museum of African-American History for the first time since construction on it was completed last year. Then we drove along Constitution Avenue past the Federal Triangle buildings, and took a slight detour so that I could see (and photograph) Capital One Arena, the home of the Washington Capitals hockey team. They had just advanced to the Stanley Cup NHL finals, and a week or so later, they emerged triumphant and the whole city of Washington went nuts in the championship celebration. In the Eastern Market area, we saw the Marine Barracks and had dinner at a Mexican-Salvadoran restaurant called "Las Placitas," and went back home. Finally, we drove past Nationals Park, which was festooned with banners heralding the upcoming MLB All Star Game, and nearby Audi Field, which was then in the final stages of construction. It hosted the inaugural match of the D.C. United soccer team last month.
The National Archives building in Washington. (All photos that day were taken with my iPhone.)
June 10: Manassas battlefield
Two weeks later (June 10), we returned to Northern Virginia and I took my brother-in-law Roberto (and niece Shary) on a visit to the Manassas battlefield. Roberto is fascinated by the American Civil War, but unfortunately the visitor center there had no books in Spanish for sale, merely a one-page typewritten summary of what happened in the two battles that took place there. Nevertheless, Roberto really enjoyed seeing it for himself and imagining the clashing armies. In light of all the recent heated partisan fury over the proper way to remember the Civil War, the battlefield assumed greater significance.
Roberto Jacobs inspects one of the cannons at the Manassas battlefield on June 10. A closeup photo I took of that monument shows the inscription, which must be in honor of Union soldiers from the way it reads:
"In memory of the patriots who fell at Bull Run.
July 21, 1861"
Aug. 4: Brownsburg and Goshen
Finally, last Saturday we drove south and west of Staunton, pausing in Middlebrook and other scenic spots along the way. A mile or so before the town Brownsburg, I was surprised to see a large brick building with a cemetery in back, and learned after stopping that it is the New Providence Presbyterian Church, founded in 1746. The attached three-story building in back is devoted to religious education but is not, as I originally surmised, the site of Brownsburg Academy, which the church built in town during the 1830s. In Brownsburg itself, we took a look at the historic homes and visited the museum which featuring quilts, household items, and artisan products from the 19th Century. The lady there was very friendly.
From Brownsburg we headed west, and I was thinking about finding the location of the set of the 2005 movie War of the Worlds (in which I was cast as an extra!), but the roads were confusing and I decided it was more important to get to the other primary destination, which was the incredibly scenic Goshen Pass. The Maury River cuts through a mountain ridge, and with all the recent rains, the water that day was unusually high. I stopped there during a birding venture last summer, but otherwise we had not been there in almost fifteen years! I convinced Jacqueline that it would be a good picnic spot for the near future, but we were hungry and decided to go straight to the town of Goshen, where we had a nice lunch at a local restaurant. Then we headed northeast, bought some fresh tomatoes and other veggies at a produce stand in the town of Craigsville. (The canteloupe is incredibly tasty!) Finally, we stopped for a few minutes at Augusta Springs, which is one of the renowned birding locations in this area, but not much was happening, so we went home.
The Maury River passing through the Goshen Pass. (Taken with my iPhone.)
The next day (August 5) we went for a vigorous hike along the Shenandoah Mountain trail, the same place where I had led an Augusta Bird Club field trip on May 26. There weren't many scenic photo ops, but I did take one of all the trees being cut near Braley Pond to make way for the pending Atlantic Coast Pipeline. I posted it on the Chronological (2018) photo gallery, along with many more photos that are available for your enjoyment and/or edification. And now I'm officially up to date with recent travelogues ... another one from three years ago will be posted soon!
July 28, 2018 [LINK / comment]
Five months of music, three more shows
Once again, I am struggling to get caught up with my documenting my varied activities. Obviously, music has consumed a great deal of my time over the past year (or two!), getting in the way of blogging about various topics, such as -- ironically -- music! I try to keep track of which songs I have played in public, so that I don't repeat myself, and this blog is my primary way of doing that. But since I have dithered for so long, I have lost track of things in the five months since my last music blog post on February 28. Whenever I do a music show, I make meticulous plans for what I'm going to play, and make note of any changes or omissions afterwards. But for the informal open mic events in which I participate, it's a hit or miss situation. I often jot down on paper what songs I plan to play, and sometimes I post my mini-set lists on Facebook afterwards. In some cases it was quite a challenge to reconstruct my set lists, and I have made note of those dates on which some uncertainty exists. (The following paragraphs and setlists are in chronological order, with the open mic events interspersed among my own shows.)
At Queen City Brewing on March 28, I attempted some rather challenging songs that I had recently learned, with mixed results. Having missed open mic for three straight weeks, I was a little rusty. I started off with the Beatles' "Penny Lane," which was never really a favorite of mine, but as often happens, I came to appreciate it more through the process of learning how to play it. Aside from all the sound effects, it has some offbeat key changes which were highlighted in a video that I saw (and shared) on Facebook last year. (See it for yourself at culturesonar.com.) The guy who explains that song made a big deal about one particular chord that defines the mood of the song, which he claims is a B minor 7, but I think it's a G major 7! What's more, the host of the open mic events, Fritz Horisk, agrees with me, so that must count for something.
- Penny Lane ( # ) -- Beatles
- It's How You Think ( # ) -- Ozark Mountain Daredevils
- You've Got a Friend -- James Taylor (Carole King)
- Bennie and the Jets ( # ) -- Elton John
- Stormy ( # ) -- Classics IV
- Goodbye Yellow Brick Road -- Elton John
NOTE: The " # " (hash) symbol indicates songs on which I used the harmonica along with the guitar.
At Queen City Brewing (henceforth "QCB") two weeks later (April 11), I began by hailing the onset of baseball season with "Talkin' Baseball," that corny but pleasant paen to Our National Pastime that came out in the early 1980s. I then called attention to Facebook CEO Mark Zuckerberg by playing a Neil Young song which is the English translation of Zuckerberg's German name. With empty slots that evening, we had time to do extra songs, and the next four I did were all repeats that I am familiar with. But the final one was a bit of a stretch: "Africa," by the group Toto. I learned it a long time ago, but it has some rather challenging jazzy chord sequences and a unique rhythm. The drums played by percussionist Craig Austin were especially helpful on that song, which actually sounded pretty good.
- Talkin' Baseball - Terry Cashman
- Sugar Mountain -- Neil Young
- The Voice ( # ) -- Moody Blues
- Hotel California ( # ) -- Eagles
- Carry On -- Crosby, Stills, & Nash
- Into the Great Wide Open -- Tom Petty
- Africa -- Toto
On April 19 I went to the open mic (a.k.a. "open mike") event at Barrenridge Vineyards for only the second time this year. I felt pretty comfortable doing some rather challenging songs, and I did a live rehearsal of "Wild World" in preparation for my big show on the following night.
- Wild World -- Cat Stevens
- You've Got a Friend -- James Taylor / Carole King
- Tears In Heaven -- Eric Clapton
- Breathe In the Air ( # ) -- Pink Floyd
- Witchy Woman ( # ) -- Eagles
Bedlam Brewing #5
April 20 marked my return to Bedlam Brewing after a five-month hiatus; see my December 31 post for a review of my previous show there. I was very happy to see many of my friends there, and it was a nice-sized crowd overall. I started off with some songs that I had learned recently, and with a couple exceptions, I played very cleanly. I was especially proud of having mastered "Wild World" (Cat Stevens), especially the descending-note sequence in each refrain. Among the surprises I unleashed upon the audience were "Aqualung" (Jethro Tull) and "Don't Stand So Close To Me" (Police). I did OK on "Wild Horses," but have since decided that the original key (A minor) is a bit high for my voice, so I have started playing it in G minor instead. I was very happy with how that evening went.
|Seq-uence||Song title||Group||Harmonica? (key)|
|1||Wild World||Cat Stevens|
|2||The Voice||Moody Blues||G|
|3||Breathe In the Air||Pink Floyd||A|
|5||Day After Day||Badfinger||Bb|
|6||The Old Man Down the Road||John Fogerty|
|7||Standing On The Rock||Ozark Mountain Daredevils||C|
|8||I Walk the Line||Johnny Cash|
|9||Wicked Game||Chris Isaacs||A|
|10||Found Out About You||Gin Blossoms||G|
|11||You've Got a Friend||James Taylor|
|12||Carry On||Crosby, Stills, & Nash|
|14||Pink Houses||John Cougar Mellencamp|
|15||Sugar Mountain||Neil Young|
|18||Mrs. Robinson||Simon & Garfunkle|
|20||Don't Stand So Close To Me||Police|
|21||Wild Horses||Rolling Stones|
|23||Into the Great Wide Open||Tom Petty||G|
|24||Only Want To Be With You||Hootie & the Blowfish|
|25||Piano Man||Billy Joel||C|
|26||Tears In Heaven||Eric Clapton|
|27||If You Wanna Get To Heaven||Ozark Mountain Daredevils||F|
Back at the QCB open mic night on the following Wednesday (April 25), I paid tribute to the the Don Felder / REO Speedwagon / Styx concert that Jacqueline and I saw on April 4. (Felder used to be lead guitarist with the Eagles.) As I noted in my July 19 post, it inspired me to learn a few "new" songs, but I only did one of those this time: "Lady." It was OK, but I should have done better. I closed with John Fogerty's baseball tune "Centerfield," which has some tricky lead parts; at least I did better on it than I had before.
- Lady -- Styx
- Ridin' the Storm Out -- REO Speedwagon
- A Dying Cubs Fan's Last Request -- Steve Goodman
- Long Road Out of Eden ( # ) -- Eagles
- Centerfield -- John Fogerty
Shenandoah Brewing #2
On April 27, exactly one week after my show at Bedlam, I had my second gig at Shenandoah Brewing in downtown Staunton. Unlike my previous show there (February 17), the weather was fine. My hopes for a big turnout did not pan out, however, as only a modest number of folks showed up. Almost all of the songs were ones I had known for a while, and as always, I strove to avoid repetition. I got off to a pretty good start and was pleased to do well on "Here Comes the Sun" (Beatles) and "The Last Time" (Rolling Stones), but some of the later songs just didn't have the "punch" that they should have. I played for almost a half hour beyond the expected two-hour time slot (8:00 - 10:00), feeling obliged to make up for getting full pay after the previous event in spite of the (weather-induced) low turnout.
|Seq-uence||Song title||Group||Harmonica? (key)|
|1||I Won't Back Down||Tom Petty||G|
|2||Stop Draggin' My Heart Around||Stevie Nicks & Tom Petty||G|
|3||My Favorite Mistake||Sheryl Crow|
|5||Country Girl||Ozark Mountain Daredevils||G|
|6||The Sound of Silence||Simon & Garfunkle|
|7||Nobody Knows You When You're Down and Out||Eric Clapton||C|
|8||The Teacher||Jethro Tull|
|9||You've Got To Hide Your Love Away||Beatles||G|
|10||Here Comes the Sun||Beatles|
|11||The Last Time||Rolling Stones|
|13||City of New Orleans||Steve Goodman|
|14||Proud Mary||Creedence Clearwater Revival|
|15||Never Goin' Back Again||Fleetwood Mac |
|16||With Or Without You||U 2|
|18||Space Oddity||David Bowie||C|
|19||Tuesday Afternoon||Moody Blues||G|
|20||Hey You||Pink Floyd|
|21||Comfortably Numb||Pink Floyd||A|
|22||Dust In The Wind||Kansas||G|
|23||Behind Blue Eyes||The Who |
|25||China Grove||Doobie Brothers|
|26||Constant Craving||k.d. lang||Bb|
|27||If You Could Read My Mind||Gordon Lightfoot||D|
|28||Follow You Down||Gin Blossoms||G|
|29||Rhythm of Love||Plain White T's|
|30||Jackie Blue||Ozark Mountain Daredevils|
|31||Bennie and the Jets||Elton John||G|
|32||Love Me Do||Beatles||C|
I don't like to make excuses for not performing well, but it happens that on April 27 I was obliged to accept an assignment on short notice as a substitute teacher, which left very little time or energy for me to practice that day. I was frankly a little rusty on some songs, and in some cases my voice faltered. For anyone who gets paid to play music, such lapses are almost inexcusable. The upshot is that I'm not likely to get another solo gig at Shenandoah Brewing in the near future.
Yours truly at Shenandoah Brewing, April 27. Many thanks to Sue Buerkel (fellow parishioner at Emmanuel Episcopal Church) for taking photos of me.
More open mic appearances
For some reason, my recollections of QCB open mic nights in May are a bit foggy. I'm almost certain I was at the May 9 event, and I clearly recall "Abraham, Martin, and John" (Dion), about three martyred leaders in the United States: Abraham Lincoln, Martin Luther King Jr., and John F. Kennedy. I remember when that song came out in 1968, and how they added a fourth verse after Bobby Kennedy was assassinated on June 5 that year -- half a century ago! These are the songs that I probably played:
- Aqualung -- Jethro Tull
- Abraham, Martin, and John -- Dion
- Daniel ( # ) -- Elton John
- Folsom Prison Blues -- Johnny Cash
- The Chain -- Fleetwood Mac
Likewise, I'm almost certain I was at the May 16 QCB event. I thought "Hold Your Head Up" (Argent) sounded fine, but it just didn't elicit as much crowd response as I had hoped. You never know. These are the songs that I probably played:
- Hold Your Head Up -- Argent
- Bitter Creek -- Eagles
- Barely Breathing -- Duncan Sheikh
- Baker Street ( # ) -- Gerry Rafferty
- Day After Day -- Badfinger
On May 23 at QCB, the slate was fairly full, so we only got to do four songs each. As is often the case, I strove for "topical" songs, touching on (respectively) the weather, a new restaurant in Staunton, the end of the school year, and (implicitly) drug abuse. (I am certain about these songs, by the way.) I thought I had learned to play "Mr. Bojangles" (Nitty Gritty Dirt Band) many years ago, but only recently did I figure out the right way to play the whole thing. It sounded just great, and School's Out" (Alice Cooper) was OK.
- Noah ( # ) -- Ozark Mountain Daredevils
- Mr. Bojangles -- Nitty Gritty Dirt Band
- School's Out -- Alice Cooper
- You Can't Always Get What You Want -- Rolling Stones
Bedlam Brewing #6
On May 25 I had my sixth show at Bedlam Brewing (hard to believe), nearly one year after my first show there. For some reason, I wasn't at my best for some of the early songs, such the "bird medley" songs I had done for the Augusta Bird Club in December 2016: "Kentucky Woman / Warbler," "Cinnamon Girl / Teal," "American Woman / Wigeon." Gotta practice more. Nevertheless, I got better during the second half of the show. The crowd was appreciative, applauding several times, and one guy sitting at the bar was especially happy with the song selection.
|Seq-uence||Song title||Group||Harmonica? (key)|
|1||Take It On the Run||REO Speedwagon||G|
|3||One of These Nights||Eagles||G?|
|4||Noah||Ozark Mountain Daredevils||Bb|
|5||Here Comes the Sun||Beatles|
|6||Summer Breeze||Seals & Croft|
|7||All You Need Is Love||Beatles||C|
|8||You Can't Always Get What You Want||Rolling Stones|
|9||Luckenbach, Texas||Waylon Jennings|
|10||Folsom Prison Blues||Johnny Cash|
|11||All Along the Watchtower||Bob Dylan||E|
|12||Mr. Bojangles||Nitty Gritty Dirt Band|
|13||Kentucky Woman (Warbler)||Neil Diamond|
|14||Cinnamon Girl (Teal)||Neil Young|
|15||American Woman (Wigeon)||Guess Who||E|
|16||The Chain||Fleetwood Mac|
|17||The Story In Your Eyes||Moody Blues|
|18||Hold Your Head Up||Argent|
|20||I'm Not In Love||10 CC|
|21||Hey You||Pink Floyd|
|22||Year of the Cat||Al Stewart||G|
|23||Baker Street||Gerry Rafferty||C|
|24||China Grove||Doobie Brothers|
|25||Barely Breathing||Duncan Sheikh|
|26||Mary Jane's Last Dance||Tom Petty||G|
Recent open mic appearances
Back at Queen City Brewing on May 30 I did one of my occasional "curve balls," songs that you just wouldn't expect to be played by a solo acoustic guitarist: "You Ain't Seen Nothin' Yet," by BTO. I had only recently learned it, and was surprised how authentic it sounded simply by using the capo on the third fret. I also alluded to the raging controversy over racist comments by comedian Roseanne Barr by playing the Toto song "Rosanna."
- You Ain't Seen Nothin' Yet -- Bachman Turner Overdrive
- Summer Breeze -- Seals & Croft
- Rosanna -- Toto
- Baby Blue ( # ) -- Badfinger
On June 13, I started with a reference to the (very wet) weather once again, with the second song coming next in my repertoire's alphabetical order. I closed with one of my very favorite songs, "Hey Jude," which I had hoped to play two weeks earlier, but the schedule was filled up. It sounded good, and I made sure to shorten the extended second half of the song ("Na, na-na, na-na-na-nah...") to just a few repetitions, and Fritz appreciated that.
- Let It Rain -- Eric Clapton
- Let It Ride -- Bachman Turner Overdrive
- Year of the Cat ( # ) -- Al Stewart
- All Along the Watchtower ( # ) -- Bob Dylan
- Hey Jude -- Beatles
On June 20, I was a little flat on the first couple songs but then got better. As I recall, I played the theme from M*A*S*H and "Iris," a song by the 1990s group Goo Goo Dolls. That's a decade that often gets overlooked by rock music aficionados.
- On the Border -- Eagles
- All You Need Is Love ( # ) -- Beatles
- Suicide Is Painless -- Johnny Mandel
- Iris ( # ) -- Goo Goo Dolls
I was raring to go on June 27, doing just fine on three "new" songs as well as one ("Harvest Moon") on which I had muffed the harmonica part the first time I played it at QCB. This time it sounded just great. On the first song, "The World I Know," I called attention to the fact that it has virtually identical chords to "Iris," the final song I had played the week before. Imitation? The final song, "Locomotive Breath" was another of my surprise tunes, and it went pretty well in spite of the fact that I had just learned it. I've gotten even better on it lately.
- The World I Know ( # ) -- Collective Soul
- Harvest Moon ( # ) -- Neil Young
- Strawberry Fields Forever -- Beatles
- Locomotive Breath -- Jethro Tull
There was no open mic night on the Fourth of July, because of the big event taking place at the park nearby; see below. At the next QCB open mic night (July 11), I gave Fritz a CD full of photos I had taken of him on July 4, and played yet another challenging Beatles tune. Fritz was impressed.
- Long Road Out of Eden -- Eagles
- Chicken Train ( # ) -- Ozark Mountain Daredevils
- Ruby Tuesday -- Rolling Stones
- A Day In the Life -- Beatles
Unfortunately, on "Long Road Out of Eden," I forgot to use the harmonica, which serves for me as the lead guitar part. I missed the following two open mic nights at Queen City Brewing (July 18 and 25), so I really need to get back there soon!
Happy Birthday, America!
For the second year in a row, the City of Staunton put on a big "Happy Birthday, America" celebratory event in Gypsy Hill Park. They always have a big fair in that park on July 4, but last year they brought back one of the old traditions from the days when the Statler Brothers ruled the musical universe in this area. Headlining the event was the country music duo Wilson Fairchild, consisting of the sons of two of the "Statler Brothers": Wil Reid and Langdon Reid, the respective sons of Harold Reid and Don Reid. (Statler is just a stage name.) One of the featured musicians that afternoon was none other than Queen City Brewing open mic host Fritz Horisk, and I was glad to oblige his request for me to take photos of him performing. Fritz played an amazing set of songs from every genre, paying tribute to various states such as John Denver's "Take Me Home Country Roads," as well as his own very nice composition "I Love America." Before Fritz got started, I saw a group called Prime playing classic rock tunes, including "China Grove" (Doobie Brothers). They were very good as well.
Fritz Horisk at the Happy Birthday, America 2018 event; roll your mouse over the image to see a closeup of The Master in action.
Whew! I am now officially caught up on blogging about music.
July 19, 2018 [LINK / comment]
Triple concert: Felder / REO Speedwagon / Styx!
It may be over three months late, but here goes. Way back on Wednesday, April 4, Jacqueline and I drove to Charlottesville to see a concert featuring three separate acts: Don Felder (former lead guitarist with the Eagles), REO Speedwagon, and Styx. I had seen Felder once before, with the Eagles in 1980 or so, but I had never seen the other two groups before. I like all three of the featured performers, so for me this was a wonderful opportunity. (Jacqueline enjoyed it as well, but she wasn't quite as passionate about it.)
The last rock concert we attended was in the same venue about a year earlier: Stevie Nicks, in March 25, 2017. (Likewise, there was a big time lag between the event and the blog post.) This time we had much better seats, in the lower level. Tickets were reasonably priced (ours were in the $60 range), reflecting the modest demand for second tier classic rock groups. Most of the fans in attendance were at least our age, though there were some youngsters as well. The upper deck was curtained off because of the empty seats. I would say there about 5,000 people in attendance.
Interior panorama of John Paul Jones Arena before the show began; click on the image to see it full size.
Act I: Don Felder
Right on time at 7:00 Don Felder came onto the stage, and [he quickly] lit into "Already Gone," one of the Eagles' first big hits. His lead guitar playing made that song something really special; it was from their third album, On the Border. Felder joined the group during the recording sessions, and he had a big impact on the group's style in subsequent years. Unfortunately, he was never given the chance to share in the credits, and that's one of the main reasons for the group's breakup in 1980, and for his exclusion from the band after their "Hell Freezes Over" reunion tour of the mid-1990s. It's a real shame that those guys couldn't work out their differences. For example, there is a dispute over who really wrote "Hotel California," the music of which he claims was almost entirely his. That was, of course, the finale of the evening; his nine-song set lasted a little under one hour. I was unaware that he wrote the theme song for the movie Heavy Metal, which he also played. Felder is a great guitarist and not a bad singer, even though he hardly ever sang lead parts on Eagles songs. Since the Eagles are probably my favorite group, I was just delighted with that part of the concert. Big smiles!
As befitting a rock star, Felder's attire reminded me of the line in Tom Petty's song "Into the Great Wide Open": "His leather jacket had chains that would jingle." His official website (donfelder.com) currently displays a link to a story in Guitar World that "Hotel California" was chosen as the all-time number one 12-string guitar song, in their list of 30 such songs. As usual, I took notes of the song titles as they were played, and for this part of the concert at least I didn't need any help in identifying them:
- Already Gone
- One of These Nights
- Heavy Metal
- Seven Bridges Road
- Witchy Woman
- The Long Run
- Heartache Tonight
- Life In the Fast Lane
- Hotel California
Don Felder shakes hands with fans at the end of his show. (Roll your mouse over to see a closeup of him playing.)
Act II: REO Speedwagon
After a short break, REO Speedwagon took the stage, with front man Kevin Cronin clearly in charge. He is a diminuitive fellow, and wore odd glasses, kind of like Elton John. I only had a vague idea of the complicated history of that group, and Cronin's role in it. I clearly remember their first big hit "Ridin' the Storm Out" from my college days, but that was recorded while Cronin was out of the band. He joined in early 1972, left in 1973, and then rejoined for good in 1976. He plays guitars, sings, and does some keyboard work. Among the other band members, keyboardist Neal Doughty is the only one of the original members (1967) who has stayed with the group all the way through. Bruce Hall has been the bassist since 1977, and Dave Amato has been lead guitarist since 1989. He replaced Gary Richrath, a major creative force who joined in 1970. (He died in 2015.) Bryan Hitt became the drummer in 1989, at the same time as Amato. The group had its origins in the suburbs of Chicago. For more info about albums, tour dates, etc., see the group's website: reospeedwagon.com
It was in the late 1970s and early 1980s that REO Speedwagon reached its peak of success. It always seemed to me that their songs from that period had more of a pop music appeal, not as much hard rock as before. For a while during the latter years of the classic rock era, they were a veritable hit machine.
So, I had high expectations, and for the most part the group met and surpassed them. I wasn't familiar with some of the songs, but that's OK. They were tight, well-rehearsed and enthusiastic about playing some great old tunes. You can't ask for more from a bunch of guys in their 50s and 60s!
- Don't Let Him Go
- ( In Your Letter ) **
- Keep Pushin'
- I Can't Fight This Feeling
- Tough Guys
- Whipping Boy
- ( That Ain't Love ) **
- Take It On the Run
- Time For Me to Fly
- Back On the Road Again
- Ridin' the Storm Out
- Keep On Loving You
- Roll With the Changes
- Listen to Your Heart (Tom Petty cover)
** Song title from setlist.fm.
I noticed that several of the REO songs had alternate guitar tunings, such as "Time For Me to Fly." That inspired me to learn a few new songs by them, in addition to "Take It On the Run" and "Ridin' the Storm Out," which I already knew. (I've played them both in public.)
REO Speedwagon: In front is Kevin Cronin (wearing platform-sole shoes), bassist Bruce Hall, drummer Bryan Hitt, and keyboardist Neal Doughty. Another member, lead guitarist Dave Amato, is apparently off to the right, but it's hard to tell. Taking good photos with the harsh glare of concert lights is very difficult.
Act III: Styx
The final and perhaps leading act of the evening was Styx, named after the Greek mythological river that marks the border of Hades, the realm of the afterlife. Although I was not familiar with the three songs they played from their new album (The Mission, about a space adventure), I enjoyed them all. "Blue Collar Man" and "Lady" really fired up the crowd.
Like REO Speedwagon, Styx has its origins in the state of Illinois, and likewise the group has endured more than its share of personnel changes over the years. They rose to rock stardom at roughly the same time as the other group, but their appeal was perhaps a little narrower due to what might be called their special artistic vision. Styx was a prime example of progressive rock, following in the footsteps of Yes and Pink Floyd. Kansas (one of my favorite groups) bears some stylistic similarities to Styx, except that Styx was always more self-consciously theatrical. The "missing person" was Dennis DeYoung, the singer and keyboardist who wrote or co-wrote most of the group's hits. He was with the group from 1970 until 1984 and then for two separate periods in the 1990s; he left for good in 1999. (As with REO Speedwagon, the personnel history is based on the CDs I have as well as wikipedia.org and the group's own website: styxworld.com.)
- Gone Gone Gone #
- Blue Collar Man (Long Nights)
- The Grand Illusion
- ( Light Up ) **
- Radio Silence #
- Miss America
- Fooling Yourself (Angry Young Man)
- Too Much Time On My Hands
- Khedive #
- Bohemian Rhapsody (part; Queen cover)
- Come Sail Away
- Rockin' the Paradise
** Song title from setlist.fm.
The three songs marked with hashtags (#) are from the new Styx album, The Mission (2017). The song "Light Up" (which I could not identify that night) was from their album Equinox (1975), which also featured "Lorelei," which I do remember.
As with REO Speedwagon, I was inspired by the concert to learn some of Styx's songs, but most of them are just not suited for a solo guitarist like me. I did learn "Come Sail Away" and "Lady," and managed to do a fair job on the latter in public once or twice. I learned "Fooling Yourself" many years ago, but have not yet played it in public.
So all in all, it was a fantastic concert experience, and one of the best music values (dollar-wise) that I have ever had. As classic rock groups age and start to retire, the opportunities to see some of them are dwindling. I would highly recommend seeing any of these performers, either alone or in a paired set (or triple set), as the case may be. Don't miss them!
Styx, with Tommy Shaw in front on the guitar and vocals, James Young (also guitar) behind him, Todd Sucherman on the drums, Ricky Phillips on top with the bass, and Lawrence Gowan (in red) on the keyboard. (Roll your mouse over to see a the stage being prepared for the show, in better light.)
To see previous blog entries, go to the Culture & Travel archives page.